If you move the wheels while holding down the button, the setting screen appears and you can choose different options from the main screen.
Wheels 1 & 2 let you assign various parameters or functions to these wheels like filter or modulation for example. It came with ivory feel weighted keys on the G8 along with an advanced sound engine, revolutionary ARX SuperNATURAL expansion bay, large-sized colour LCD, powerful audio/MIDI sequencer, and more.įANTOM’s controller section gives you plenty of ways to control and adjust your sounds. Then after the affordable Fantom-Xa in 2004 came the heralded Fantom-G series in 2008. They also offered 128-voice polyphony, eight stereo audio tracks, and a large color LCD. Then only twelve months later in 2004 the Fantom-X7 was the first “Giga-Workstations,” providing nearly 1GB of wave memory when fully expanded with four SRX cards. Then in 2003, the Fantom-S offered seamless integration of audio and MIDI with advanced sampling features plus mastering effects, and USB file exchange. It boasted an expandable sound engine and digital outputs and at the time had everything you could ever want in a workstation keyboard.
This 76-key workstation featured professional quality sounds from the XV-5080 which had the highest performance sound generator of its time and a wide range of realtime performance functions. It had a large graphic LCD and centralized control of its many different functions. In 2001, the original Roland Fantom was heralded as a new breed of workstation.
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